Saturday, May 11, 2013

Writers Workshop of Science Fiction And Fantasy Promo and Giveaway!

Writers Workshop of Science Fiction and Fantasy is a collection of essays and interviews by and with many of the movers-and-shakers in the industry.  Each contributor covers the specific element of craft he or she excels in.  Expect to find varying perspectives and viewpoints, which is why you many find differing opinions on any particular subject.

This is, after all, a collection of advice from professional storytellers.  And no two writers have made it to the stage via the same journey-each has made his or her own path to success.  And that’s one of the strengths of this book.  The reader is afforded the luxury of discovering various approaches and then is allowed to choose what works best for him or her.


Writers Workshop Excerpt
“Nothing fills a page faster than dialogue,” the writer said.

There it is, the blank page or screen, the intimidating and recurring challenge every writer must face. The temptation is to fill that page as quickly as possible, to advance the narrative however you can. Often the easiest way to do that, even for writers who are not masters of dialogue, is to get the characters talking. A few A few writers are even bold enough to begin novels or stories with a line of dialogue, something I don’t recommend unless you possess the skills of the early Robert A Heinlein, who began his story “Blowups Happen” with the suspenseful line: “Put down that wrench!” Orson Scott Card also opened his popular novel Ender’s Game with a piece of dialogue that immediately rouses the reader’s curiosity: “‘I’ve watched through his eyes, I’ve listened through his ears, and I tell you he’s the one.” Writing good and convincing dialogue is usually enough of a challenge without relying on it to hook a reader right at the beginning of one’s story. Writing dialogue, whatever the difficulties, is generally easier than, for example, crafting descriptive passages, offering insights into a character’s  psychology, creating vigorous and absorbing action scenes, or presenting necessary exposition in a graceful way.

Writers who harbor dreams of scriptwriting may be especially prone to fill pages with dialogue, but others also succumb, partly because dialogue is a shortcut and a very useful one. Sometimes a few well-chosen words of conversation can accomplish as much in a story as pages of description and exposition. There are also a fair number of readers who are more absorbed by stretches of repartee than by beautifully and poetically rendered descriptions. (Writers meet these people all the time; they’re the ones who tell you they skip all the dull parts, often meaning those carefully wrought passages that cost you so much effort.) Better just to cut to the chase, or in this case, drop in on the conversation.


List of Authors
Neil Gaiman
Orson Scott Card
Ursula K. Le Guin
Alan Dean Foster
James Gunn
Tim Powers
Harry Turtledove
Larry Niven
Joe Haldeman
Kevin J. Anderson
Elizabeth Bear
Jay Lake
Nancy Kress
George Zebrowski
Pamela Sargent
Mike Resnick
Ellen Datlow
James Patrick Kelly
Jo Fletcher
Stanley Schmidt
Gordon Van Gelder
Lou Anders
Peter Crowther
Ann VanderMeer
John Joseph Adams
Nick Mamatas
Lucy A. Snyder
Alethea Kontis
Nisi Shawl
Jude-Marie Green
Nayad A. Monroe
G. Cameron Fuller
Jackie Gamber
Amanda DeBord
Max Miller
Jason Sizemore


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